He plays Neel, who is designed as a polar opposite, personality-wise, to Rishu. Virtually nothing happens until the script hurls Harshvardhan Rane into the mix almost exclusively to propel the plot. You will cringe at the comments Rishu’s mother passes at Rani - and not for the reasons that the film probably intends. It’s a marriage of compromise, and director Mathew devotes far too many minutes of screen time to their goofy attempts to get comfortable with each other. Needless to say, they don’t hit it off immediately. And we're supposed to care about him? Why? Like his co-star, Massey's a good actor, but severely let down by a script that alternately empathises with Rishu and then points fingers at him.Īfter being emasculated by Rani in an early scene, Rishu has a hissy fit that lasts a fortnight or something. In the film’s opening moments, Rani is introduced to Rishu, the latest in Vikrant Massey’s seemingly unending streak of playing toxic young men who hide behind a veneer of innocence. Taapsee Pannu in a still from Haseen Dillruba. Where’s the Taapsee who displayed such remarkable command over her character in Thappad? What has Haseen Dillruba done to her? Tonal creases like this can only be ironed out if the creative minds behind the operation are on the same page. But because there’s no middle-ground between these drastically different sides to Rani's personality, it feels as if you’re watching two entirely different people. Normally, it would be up to the writer and director to make the evolution of the character graceful. The issue here isn’t the change of heart - these things happen - but the film’s indifference towards its own internal logic. It’s a jarring shift, considering how Rani had been presented to us. In one moment she’s the standard Taapsee Pannu-type - brash but somewhat endearing - and in the next, she goes stunningly off-brand, and literally begs a man to accept her. Taapsee Pannu’s performance as a bored housewife named Rani is all over the place. Even by the standards of something you might pick up on a railway platform, the characters in this film behave like no human being you're ever likely to meet. Haseen Dillruba is hardly the homage to Hindi pulp fiction that had been teased. The overall experience, however, feels like someone’s slipped you a roofie.
Three intensely unlikeable people come together in this strange cocktail of romance and revenge. The film clocks in at a little over two hours - conventional, you might say - but don’t let that fool you. Vasan Bala).There isn’t a single minute of straightforward storytelling in Haseen Dillruba - it’s an assault on all senses, including that of the common kind. After lampooning himself as a desperate and insecure star in the terrific Netflix Original film AK vs AK, Harshvardhan Kapoor plays another desperate, insecure star in Spotlight (dir. Manoj Bajpayee and Gajraj Rao have a fateful encounter on a train in director Abhishek Chaubey’s Hungama Hai Kyon Barpa. Mukherji, again), Kay Kay Menon plays an aggrieved office worker with a secret talent for makeup and prosthetics. Srijit Mukherji) stars Ali Fazal as an entrepreneur whose infallible memory is brought into question. Each short film clocks in at around an hour.
#Hindi movies netflix series
The anthology series Ray features adaptations of four stories by renowned filmmaker and author Satyajit Ray. Genre: Drama, Thriller, Anthology | Added to Netflix: June 25
#Hindi movies netflix tv
New Indian TV Series on Netflix: June 2021 Ray (2021) Nĭirectors: Srijit Mukherji, Abhishek Chaubey, Vasan BalaĬast: Ali Fazal, Kay Kay Menon, Manoj Bajpayee, Harshvardhan Kapoor
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